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Preview image for Reviews of *Freestyle Love Supreme*

Reviews of Freestyle Love Supreme

"What distinguishes Freestyle Love Supreme from other Broadway songfests is that its numbers spring into existence before your very eyes, or ears. And you, dear audience members, are the co-authors of these numbers — feeding the onstage crew the words, ideas, and emotions that they then transform into improbably rhymed performance pieces." –The New York Times

Preview image for Reviews of *Gem of the Ocean*

Reviews of Gem of the Ocean

"Introspective and keenly engaged with the problems of the world … the play shows that to fix what influences you, you first have to understand and come to terms with, yourself." – Chicago Critic

Preview image for Reviews of *The Great Leap*

Reviews of The Great Leap

"A compelling story. An intriguing mystery that combined history, mystery, and humor"  - Audience Rave 

A two-image collage showing detail from the Hedwig set design model on the right and detail of a Hedwig costume design drawing on the left.

Behind the Curtain: Spotlight on Design

Britton Mauk and Dominique Fawn Hill, the scenic and costume designers of Hedwig, respectively, chat with Kamilah Bush, PCS’s literary manager, about their approaches to design and this bold take on Hedwig.

Headshot of playwright Lauren Yee

Behind the Curtain: Spotlight on Lauren Yee

Literary Manager Kamilah Bush spoke to playwright Lauren Yee about her inspirations and the personal connections that led her to write The Great Leap.

Vintage photo of four performers putting on a radio broadcast, including one man striking an object to produce sound effects.

Behind the Curtain: It’s a Wonderful Life: A Live Radio Play

PCS Literary Manager Kamilah Bush talks to Phil Johnson and Matt Rowning, the sound design and composition team, about bringing this unique experience to life.

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