Peter Ksander is a scenographer and designer whose work has been presented both nationally and internationally. He was a founding curator of the Incubator Arts Project in NYC, won an Obie award for the scenic design of Untitled Mars (this title may change), and a Bessie award for the visual design of This Was the End. Recent Portland credits include set designs for A Seagull, Il Re Pastore, Cardiac Organ, Apoptosis, The Americans, The Cherry Orchard, and Fronteriza. Previously with PCS, he designed the sets for A Midsummer Night’s Dream, It’s a Wonderful Life, Miss Bennet: Christmas at Pemberley. He holds a MFA from CALARTS, is a Professor at Reed College and is a member of the Portland Experimental Theatre Ensemble (PETE).